It's interesting to see that despite of having same Basohli origin, each school showcase characteristic motif in its paintings. More or less the fabrication of these astounding piece of art remains the same. But one thing makes every school of pahari miniature different from each other- THE MOTIFS. The schools flourished in Basohli, Guler, Kangra, Chamba, Tehri Garhwal, Nurpur, Mankot, Mandi, Kullu, Bilaspur provide specific motifs or themes to display. Come, explore the peculiar feature of each pahari style of painting.
As we are exploring different schools of Indian miniature Pahari paintings, we came across the two dominant schools- Basohli and Kangra. But there are others including Guler, Chamba, Garhwal and Bilaspur. Guler, became a prominent centre for art and later termed as the birthplace of Kangra painting in the first half of the 18th century. The Guler Paintings or Guler style proved as the cradle of the early phase of Kangra Kalam with the unique blend of Rajput and Mughal style of art. This contrast had brought out the cultural essence of India onto a canvas with the flair of delicacy and a sense of spirituality. In the course of time Guler painting finally get evolved into Kangra paintings.